This appeared to be an interesting angle for exploring the campus, and to guide me on my way on this low-key adventure, I had two expert sources of information: a concise information leaflet entitled “Promenades Universitaires” produced by the University, detailing the locations of the different examples of public art (mostly the products of the “1 % artistique” policy obliging public construction projects to commit 1% of their value to artistic creations); and, above all, my travelling companion for the day, Harvey Morgan, Talence-based US expat, long-time follower of the blog and a fountain of wisdom about local history and heritage (particularly places of worship throughout la Gironde).
After a few e-mail exchanges about what we could see, Harvey conceived an interesting itinerary which started out with something that has surely become one of France’s great specialities in recent years: a roundabout with something built in the middle. In this case, the scenic addition to the roundabout is reminiscent of a carrelet fishing hut, although I may be missing something. Upon closer inspection, it turned out there was no raised floor inside, just an open space littered with empty bottles. The hut has obviously become an unusual spot for communal drinking…
From there we moved on to the grounds of the Arts & Métiers engineering school and three unexpected additions to the landscape. First, we viewed a tall sculpture by the Argentina-born Alicia Penalba (1913-1982): one of her “Grand Double” creations and inspired by Native American totems. This one was produced in 1974.
Then, a little closer to the buildings we studied a “Smartflower”, a small-scale photovoltaic system which rotates according to the position of the sun, or can simply fold away if the winds get too strong. How is the power harnessed by the Smartflower used on site? This remains an open question although information available online suggests the €23,000 installation can generate between 3,400 and 6,200 kWh per annum, which is presumably enough to perform quite a few primary functions.
| Harvey Morgan inspecting the Smartflower. |
Moving on from the CREPS we made our way to the monumental art deco gates delivered by the renowned French ironworks specialist Raymond Subes (1893-1970) in 1950. The spectacular gates, which comprise multiple rows of tree-like designs, are topped off by the inscription “Université de Bordeaux. Faculté des Sciences.”
We then reached the first of three pieces produced in the 1960s by the sculptor Jean Bertoux (1923-…), the so-called “Mur mosaïque” comprising a number of mosaic-covered “u” and “n”-shaped blocks resting on each other. One side is distinctly prettier than the other and, in places, the work seems to be in a state of neglect with bits gradually falling off. Though tempted to take a bit of 1960s artwork home with us, we left the broken bits of mosaic tiles where they were…
Our final stops were by the main buildings of what is now Université Montaigne, encompassing the Faculté de Droit et des Sciences Economiques and the Faculté des Lettres et des Sciences Humaines. This is where the stone structure entitled "Jet d'eau pétrifié", produced around 1968 by Yasuo Mizui (1925-2008), can be spotted. It was reportedly originally positioned in the middle of an actual water feature where the reflections of the sculpture’s shapes and patterns added a further dimension to the piece. In its current position it feels far more static and seems strangely out of place.
We finished off on the esplanade located across from the Mizui fountain, viewing an area referred to as “Espace aménagé Bissière” after its creator Roger Bissière (1886-1964). By the university buildings, this comprises a number of small blocks of stone which may or may not make for comfortable seats for students out enjoying the fresh air, coupled with ground-level slate portrayals of birds in flight (or something). The second component is a long decorative wall (which was relocated away from the concourse to a bucolic spot beneath some trees) with patterns made out of stones, slate and fragments of brick, as originally designed by Bissière but executed by his son Marc-Antoine Loutre.
Before heading back towards our starting point by tram (along with dozens of foreign students, the sole inhabitants of the university campus whenever weekends come round), we admired some walls which have been given a serious street-art makeover. Will those spray-paint productions prove to be as durable as the campus’s official artwork heritage?
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> Here are the various sights layered onto GoogleEarth data:



















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