The scene is Arcachon, in the latter years of the nineteenth century, and local baker Sylvain Dornon (pictured left) has taken it upon hi...

Sylvain Dornon : the Arcachon baker who stilt-walked from Paris to Moscow

The scene is Arcachon, in the latter years of the nineteenth century, and local baker Sylvain Dornon (pictured left) has taken it upon himself to popularise the bygone Landaise tradition of walking on stilts. To do this he organises demonstrations and performances, then opts to stilt-walk up the Eiffel Tower, before venturing from Paris to Moscow. But let’s go back to the start…

The use of stilts, or “échasses”, was widespread throughout the Landes from the 18th century onwards. The wooden implements (and their leather foot-straps) were primarily employed by shepherds as both an easy way of manoeuvring through marshy land and as a means of extending their field of vision when watching over their flock of sheep. Other stilt users in the Landes were messengers and postmen, keen on time-saving and maintaining a steady step. But as the wetlands became drier, due to the work of Nicolas Brémontier and previous blog subject Jules Chambrelent, so the use of stilts began to die out. 

Enter Sylvain Dornon, who was born in 1858 in Salles, to the east of Arcachon and at the northern tip of the Landes. His background wasn’t that of a shepherd. Rather, his father was a résinier, collecting resin from the pine trees of the region, and Sylvain became a baker in nearby Lugos. All the while he was fascinated by music and dancing, and during his time in Lugos he set up one of the first-ever folk-dancing troupes to perform… on stilts. In the late 1880s, the young baker moved to Arcachon, operating on the central Rue du Casino.

Rue du Casino is now rue du Maréchal de Lattre de Tassigny. Dornon's boulangerie can be seen to the left of this picture, and was a vacant unit when this photo was taken.
As the town’s tourist credentials were gaining momentum he hit on a potentially lucrative idea: to entertain visitors by putting on shows in the leafy Parc Mauresque, just metres away from his bakery. The échassier shows featured racing and dancing, culminating in a square dance number known by the Gascon name Lou Quadrilh dous tchancats (stilt-walkers were referred to as being “tchanqués”, as still are the famous huts on stilts mid-Arcachon Bay, les cabanes tchanquées).

In true street entertainment style, spectators were invited to make generous donations at the end of the show. The concept proved successful but Dornon felt he and his stilts deserved greater exposure. In September of 1889 he therefore travelled to Paris for the Exposition Universelle and, in full-on tchanqué mode, walked up the steps to the second level of the Eiffel Tower. The coup garnered extensive coverage in the press.

Arcachon's Parc Mauresque, sadly short on stilts the day I was there.
He would not stop there though. Inspired by tales of eccentric Russians travelling on foot from the western frontier of their country to France, Dornon elected to go one step further (well, several steps further) and stilt-walk all the way from Paris to Moscow. His arrival would be timed to coincide with a Franco-Russian exhibition being held there in May 1891. He secured financial backing from the magazine L’Illustration and Dornon set to work making two new pairs of stilts: one set measured 1 metre 10 centimetres and weighed 3 kilogrammes while the second, longer pair (1m80) were, along with trunks of clothes, dispatched to Moscow.

Dressed in full Landais shepherd clothing (including goat-skin coat and beret), carrying a bag containing maps, a few spare clothes and a loaded gun (you can never be too careful), Dornon set out from Place de la Concorde in Paris on March 12th 1891, surrounded by a 2,000-strong crowd of enthusiastic supporters! 

The scene on Place de la Concorde, as recorded by L'Illustration (photo source: bassindarcachon.com)
Covering an average of 60 kilometres per day and in spite of harsh weather conditions and poor road surfaces, Dornon cruised through Reims, Sedan, Luxembourg, Koblenz, Berlin, Wilna and on to Moscow. Walkers and cyclists would often join him for stretches of the route, although progress was also sometimes hindered by uncooperative policemen or children who would throw stones at him, not to mention downright hostile observers, notably in Germany where the sight of a Frenchman on stilts did not systematically prove popular. On the whole though, Dornon would never fail to find a local who had heard of his venture or a hotel bed to sleep in.

The endeavour even generated a bit of controversy as it was rumoured that Dornon had hopped on a train to ease his efforts somewhat. The press in France quickly picked up on this information, although Dornon later claimed (in his personal account of the trek published the following year by Bordeaux printers Gounouilhou*) that he had solely taken a train in Jastrow, Germany, to appear at a one-off circus event in Kustrin, before returning by train to the same point in order to carry on with his venture. 

Source: Wikipedia
Anyhow, after 58 days and 2,875 kilometres, Dornon arrived in Moscow preceded by a police cortege. He was hailed by a crowd chanting “Vive la France!” and treated to a champagne reception, although the staff at the French exhibition weren't too enamoured; he wasn't allowed to stilt-walk at the event and wasn't even given a courtesy ticket. However, after taking part in a number of other festivities (including a race on stilts against a clown from Germany), and visiting Saint Petersburg, Dornon finally got on a train and began the return trip, which would of course take far less time… although it wasn’t incident-free: at a border crossing the souvenir engraved glasses Dornon was bringing home for friends all got broken during a search by an overly zealous customers officer.

Back in Arcachon, Dornon returned to his duties at the boulangerie. Other than dealing with visitors familiar with his recent achievements, his life regained some form of normality. His Landaise stilts did however continue to excite him far more than the bakery's output; he would take part in races and dance performances throughout the region up until his death in 1900 aged just 42. His legacy is that of reviving a Landaise tradition which had already died out, and the concept he developed lives on to this day, with many échassier folk dance troupes continuing to entertain the masses.

Find it on the Invisible Bordeaux Googlemap: Dornon's bakery was located on what is now Rue du Maréchal de Lattre de Tassigny in Arcachon. Parc Mauresque can be accessed via the public elevator which has already featured on the blog.
> *Dornon's own account of his trip from Paris to Moscow, as first published in 1892, has been re-printed by local children's book specialists Milathéa, see: http://www.milathea.fr/sylvain_dornon_milathea.html

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With winter more or less coming to an end, one of Bordeaux's essential musical highlights of the year is just around the corner: the 202...

We give you the Bordeaux Rock Festival, the Rock en Ville 20th-anniversary extravaganza, and a highly desirable compilation CD!

With winter more or less coming to an end, one of Bordeaux's essential musical highlights of the year is just around the corner: the 2026 Bordeaux Rock Festival, taking place from 11 to 14 March. As always, we can look forward to a diverse programme of artists performing over the four days, ranging from local talents to international superstars, all expertly guided by the good people of the Bordeaux Rock association, who are also behind the annual Musical Écran music documentary festival.


The festival will begin on Wednesday, 11 March at L'Inconnue in Talence with a 'Portugal Com Amor' event, featuring Ana Lua Caiano — often referred to as the Portuguese Björk — and Rita Braga. A few days later, on Saturday 14 March, the 2026 edition will come to a spectacular close at the Bordeaux Grand Parc concert hall. Headliner Marlon Magnée (of La Femme) will perform his first French date with Domenique Dumon and local band Équipe de Foot supporting.

On Thursday 12 and Friday 13 March, make way for the 20th anniversary of the slightly mad Rock en Ville initiative. This year, the event will span two evenings, with no fewer than 40 local bands performing at six legendary venues in central Bordeaux.

The principle is simple: evening passes are available at each venue for the affordable price of €6 (cash only) and allow you to move between l’Avant-Scène, Archipop Records, l’Éther, Maison Allez les Filles, Pulp and Grizzly Pub.

The lineup will be beyond eclectic. So whether you're more into power pop (Gordon), skate punk (Fast Lane), dream pop (Aldo is a Dog), post punk (Souffre Douleur), grunge rock (Grenat), country folk (The Coudougnans), or indie rock (Pyramid Kiwi), you're sure to find something you like!

Full disclosure: my alt-pop band, Slowrush, whose songs are inspired by the unusual themes shared on this blog, will be performing on Thursday 12 March at L'Éther (12 Rue des Menuts), alongside the excellent grunge shoegaze band Safe Waters and the equally excellent punk rock band Cust. Join us at 7.45pm sharp for the start of our set – don't be late!

You can also purchase a collectible souvenir of these two nights in Bordeaux in the form of a double CD compilation produced by Thoineau Palis (also known as TH Da Freak and founder of the influential label Flippin' Freaks) and featuring the fine rockin' mascaron artwork by Aubérie Vantomme that can also be seen on the festival poster. The compilation will be available for €10 throughout the festival and then from all reputable record stores across Bordeaux Métropole, as well as on order from the Bordeaux Rock website. It will also be available to stream on Bandcamp. This new set joins previous Bordeaux Rock releases, which have already allowed me to travel back in time and discover the Bordeaux music scenes of 1977–1987 and 1988–1998. Check back soon for my thoughts on the 2026 vintage!... and see you at the festival! 

A Rock en Ville 20 ans compilation spotted in its natural habitat.

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At Invisible Bordeaux, we’ve become accustomed to looking upwards at walls, plaques and windows, but on a lane stretching through the forest...

Les Pieds au Sec: Le Taillan-Médoc’s giant local history hopscotch artwork

At Invisible Bordeaux, we’ve become accustomed to looking upwards at walls, plaques and windows, but on a lane stretching through the forest of Le Taillan-Médoc, in the north-western suburbs of Bordeaux, it is very much a case of looking down at what is painted on the ground: a 100-metre-long hopscotch-like serpentine installation comprising handpainted squares inspired by local sights, customs and tales. We give you 'Les Pieds au Sec' (which translates as "dry feet"!).


The artwork is the result of a project (codenamed a POP, for Projet Optimiste Partagé, an upbeat shared project) conducted by the local municipality throughout 2024 and 2025, with the active support of a number of cultural players, and awarded to be delivered by the multidisciplinary artists Benjamin Grafmeyer and Colette Ducamp.

Starting from a blank page, initial encounters led the two artists to develop an idea around an iconic raised pathway, « la Levade du Médoc » (also known as Lébade). This was a footpath that ran from Bordeaux to Soulac via Le Taillan, in essence the first formal route in the area, and the reason it was raised was to enable walkers to remain above the level of the surrounding marshlands, therefore keeping their feet dry (i.e. les pieds au sec).

Full explanations about each of the 58 recurring panels are available alongside the artwork.
Working with the idea of possibly creating their own form of "levade", they held workshops in local schools, care homes, art clubs and even at the weekly market, meeting, greeting, chatting and collecting examples of some of the distinguishing features that make Le Taillan what it has become today, whether substantial or seemingly insignificant! And while out rambling with the town’s youth club, they came across the long stretch of ground, close to where the original "levade" was located, that would later host the end product.

During further sessions with participants at what is known as le POLCA (Pôle culturel et artistique), work began on creating giant stencils, and primary schoolchildren contributed by utilizing a set of pre-defined shapes to conceive some of the visuals that would end up painted on the ground.

The final stage came in April 2025 when schoolchildren and volunteers joined the artists to produce the actual stencils’n’paint artpiece, which can now be freely viewed at all times. But then again why not take things one step further as this is public artwork that cannot only be viewed but can be played, with detailed explanations and rules available online (the game is reportedly suitable for players aged 3 to 101, and is also available online as a print-out-and-keep version).

To enjoy the full experience, nothing beats visiting the exhibit itself, but as a taster, here are just a few of the squares painted on the ground (they could already do with a little TLC) and what they represent:

Le lavoir (above left): Le Taillan-Médoc’s centrally-located washhouse was first built in 1870 and renovated in 2009. As elsewhere, for many years it was a veritable meeting point and a hub for local gossip!

Le sergent mystère (middle): the artwork has been positioned on Allée du Sergent, but it is a mystery who the original sergeant might have been!

Chez Titine (right): Titine was the lady who was the first person in the Germignan neighbourhood of Le Taillan to have a telephone connection. She was therefore particularly well-informed about local news and developments!

Les voitures fantômes (above left): In June 1940, a surprising convoy of Citroën vehicles turned up in Le Taillan-Médoc. They were being driven by Citroën factory-workers and their families, who had fled Paris and were on a mission to hide the cars further south in the Landes region.

La Place Général de Gaulle (right): the town’s central square was previously the territory of grazing sheep, but is now the place where people meet to socialise and catch up with each other. Cheers!

Here's to Les Pieds au Sec, let's hope it proves to be a durable addition to Le Taillan-Médoc, possibly even in time becoming as much a part of the town's heritage as the sights, customs and tales that the artpiece celebrates! 

And here is some official video footage of the installation:   


P.S. Before signing off, there is a bonus item to share as nearby, by another lane that enters the forest, an old red British telephone box can be seen. There seems to be no particular reason why it should be there, but it is indeed there, and makes for an unusual sight to say the least. Judging by the scale of the neighbouring property, it appears to be a private initiative rather than the work of the local council. 


Doing a bit of homework, it appears to be a K6 model kiosk, and the bas relief St Edward’s Crown therefore means that it was manufactured after 1953. Since the 1990s, when red telephone boxes quickly disappeared from the landscape, the crown has been picked out in gold paint on heritage models; here though it has retained its original red paint. Sadly, there is no phone inside, so if your battery is low and you need to make a call when in the area, possibly best instead to hunt out ‘Chez Titine’…

> Find them on the Invisible Bordeaux Googlemap: Les Pieds au Sec hopscotch serpentine and Red telephone box, Le Taillan-Médoc.

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Several of the locations featured on the Invisible Bordeaux blog, along with a number of places further afield, are now included in Atlas Ob...

Sights from Invisible Bordeaux and beyond are now available to be explored on Atlas Obscura!


Several of the locations featured on the Invisible Bordeaux blog, along with a number of places further afield, are now included in Atlas Obscura, the definitive guide to extraordinary places around the world. This makes me strangely happy!


Here at Invisible Bordeaux, I have been an avid reader and user of Atlas Obscura for a number of years. In fact, recent cycling trips have been voluntarily designed to take in sights that have been featured on the website. It was only a matter of time before some of the Bordeaux and Gironde finds from the blog appeared on Atlas Obscura, reaching the platform's international audience. Here then are the weird and wonderful subjects that now have that additional exposure.

Twin City Gardens


These little-known and somewhat run-down gardens, which have been designed to make visitors feel as if they have been magically and instantly transported to other parts of the world, namely a number of Bordeaux’s twin cities, including Lima, Munich, Madrid and Casablanca, have been a recurring subject on the Invisible Bordeaux blog and were even converted into a song and video for my musical project, Slowrush.

> View the Atlas Obscura entry.


The Mériadeck quarter


This modern, high-rise district emerged in the 1960s and 1970s following the demolition of an entire residential neighbourhood. Although many Bordeaux citizens have never fully embraced the area, it is popular with brutalist architecture enthusiasts, photographers, skateboarders, urban dance groups, and British bloggers.

> View the Atlas Obscura entry.


Square Vinet’s green wall


Just a stone’s throw from the perpetually bustling Rue Sainte-Catherine, at the junction of two picturesque side streets, you will find a small children's playground which is home to the city's largest mur végétal — a vertical garden, or green wall. It stretches across two sides of the square that meet in a circular niche.

View the Atlas Obscura entry.


The Ovniport UFO landing pad in Arès


The quiet resort town of Arès, located at the northernmost point of the Arcachon Bay triangle, has a designated landing pad for unidentified flying objects, albeit a rather minimalist one. The so-called 'ovniport' is still awaiting its first extraterrestrial visitor.

View the Atlas Obscura entry.

 


Other Invisible Bordeaux contributions to Atlas Obscura are from a little further afield, but don’t let that stop you from checking them out!

Rembrandt’s Christ on the Cross in Mas d’Agenais (94 kms from Bordeaux)


Le Mas d’Agenais is a picturesque village overlooking the River Garonne, located approximately halfway between Bordeaux and Toulouse. Its small parish church, Église Saint Vincent, is home to an unlikely treasure: a painting produced by Rembrandt in 1631!

> View the Atlas Obscura entry.



Montech Water Slope (197 kms from Bordeaux)


This remarkable feat of engineering enabled canal boats to bypass a series of five locks. All that was required was a 125-metre sloping channel through which twin 1,000-horsepower diesel-electric locomotives could move the barges. Simple.

View the Atlas Obscura entry.


Ayré Barèges funicular (302 kms from Bordeaux)


This leisurely mountain hike from the Pyrenean village of Barèges follows the disused tracks of a funicular railway and leads to the spectacular former upper arrival station, which is now abandoned. One of the funicular's last-generation green metal cabins remains in place, while its twin counterpart can be seen at the back of the former departure station in Barèges.

View the Atlas Obscura entry.


Der Lake Museum Village (just 767 kms from Bordeaux)


This museum preserves the remains of three villages that were submerged by the creation of Der Lake in the early 1970s, which was intended to protect Paris from flooding by regulating the flow of the Marne River. The buildings relocated to the walk-through museum include a town hall, a school, a 14th- to 15th-century church (with its cemetery!), a barn, a blacksmith's house and a dovecote.

View the Atlas Obscura entry.


> Enjoy the full Atlas Obscura experience and its more than 30,000 entries on the atlasobscura.com website, or else on the very handy app, as used and recommended by Invisible Bordeaux! 

> Atlas Obscura can also be followed on Instagram, Facebook, Youtube and elsewhere! 

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